Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Still life of Roses and convulvuli in a Glass vase,Together with peaches,grapes,pears and plums

ID: 27470

unknow artist Still life of Roses and convulvuli in a Glass vase,Together with peaches,grapes,pears and plums
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unknow artist Still life of Roses and convulvuli in a Glass vase,Together with peaches,grapes,pears and plums


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unknow artist

  Related Paintings of unknow artist :. | Louis of Nassau | Ascension of Christ | Les dames de Morthemer | Still life floral, all kinds of reality flowers oil painting 313 | Still life floral, all kinds of reality flowers oil painting 293 |
Related Artists:
Andrea Boscoli
Italian, ca.1560-1607
Domenico Quaglio
(1787-1837) was a German painter, engraver, stage designer, and architect. He was the second son of Giuseppe Quaglio and part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography for the court theaters. He known as a landscape and architectural painter/decorator, including quadratura. He was born in Munich. He was taught perspective and scene-painting by his father, and engraving by Mettenleiter and Karl Hess. In 1819 he resigned his post as scene-painter, and occupied himself only with architecture, for which he obtained subjects in the Netherlands, Italy, France, and England. As architect in charge, Domenico Quaglio was responsible for the neogothic style of the exterior design of Hohenschwangau Castle, summer and hunting residence of King Maximilian II of Bavaria, son of King Ludwig I of Bavaria and father of King Ludwig II. Quaglio died at Hohenschwangau in 1837.
Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.






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